Tuesday, April 17-----The 12th Annual Palm Beach International Film Festival (PBIFF), which begins this Thursday evening, will honor former child star Margaret O’Brien with the Legend In Film Award at its black-tie Awards Gala at the Boca Raton Resort & Club on Saturday evening, April 21st. Earlier on Saturday,  Ms. O’Brien will appear at a special mid-day screening of MEET ME IN ST. LOUIS (1943), her best known film, at the Sunrise Theatres, Mizner Park in Boca Raton. Following the screening will be a Conversation with one of film’s most famous child actors, after which she will autograph photos.  

In 1944, she was loaned to 20th Century-Fox for another ing part, that of Joan Fontaine's young French charge in the film adaptation of Charlotte Brontë's JANE EYRE. The film also featured two rising child stars, Peggy Ann Garner and Elizabeth Taylor, though O'Brien received the highest billing of the three girls. That same year, she gave her most memorable performance and the one for which she earned her special juvenile Oscar, playing Judy Garland's youngest sister "Tootie" in Vincente Minnelli's turn-of-the-century musical MEET ME IN ST. LOUIS (1944), a film that has become a perennial family classic.  

She continued her success in tailor-made starring roles such as THE CANTERVILLE GHOST (1944) and OUR VINES HAVE TENDER GRAPES (1945). As she grew into adolescence, she was cast in a series of tear-jerkers, among them TENTH AVENUE ANGEL (1947) co-starring Angela Lansbury and George Murphy. She played an eight-year-old growing up in the Hell's Kitchen section of New York City who loses faith in everything when she discovers she's been lied to by her mother.  In BIG CITY (1948) she played an abandoned child who is raised by three men (including Robert Preston, Danny Thomas and George Murphy), each of whom want to adopt her legally when they marry and settle down.

Her fortunes improved in 1949 when she ed a host of young MGM actresses (including June Allyson, Janet Leigh and Elizabeth Taylor) in the studio's Technicolor film adaptation of Louisa May Alcott's LITTLE WOMEN (1949).  Cast as Beth, the March family's painfully shy and emotionally idealistic youngest daughter, O'Brien quietly triumphed with her talent for melancholy and pathos.  Her films in the 1950s were scarce and by 1960, she officially retired. However, with the reissuing of her films on television and in the video market, she has retained her status as one of the most beloved performers in film history and one of the few remaining survivors of the legendary Hollywood dream factory.

Sandy Mandelberger, Palm Beach FF Online Dailies Editor